Posted tagged ‘artists’

Database in the Wilds of Woldman

February 27, 2017

I have two card decks by artist Susan Woldman, the Contemplation Cards and the Relationship Cards. She also created two other decks, the Yoga Path Cards, and the Ask Me! Cards, which are done in the same style; all of them are out-of-print. She also co-wrote and illustrated a book: The Promise Effect: How to Create a Life That Wasn’t Going to Happen Anyway that is still in-print.

“Susan Woldman is a multi media artist from New York city, finding expression through illustration, writing, painting, sculpting, woodworking and ceramics. After exhibiting her art widely, Susan discovered her passion for combining visual images with the written word. Her card decks are a product of this discovery.”

Upon looking her up online, I see she has changed her focus from exuberantly coloured art and card decks to subdued abstracts in acrylic that are just fascinating. Here are some recent works from her website:
http://www.susanwoldman.com/susan-woldman-artist/

I see her mention that she also makes jewellery. I tend to like artists who work across various disciplines because I do too. There is always something new to learn and try when you’re creative. It’s quite striking how different her art of today is from when she made the four decks. Can you see going from all those bright colours to the quietude of depth in almost monotonal abstracts in a large 48-inch square size? How interesting to discover variations in tone and texture after working in wild colour. Man, I find artists interesting.

Here are the deck boxes together.

relationship-contemplation

CONTEMPLATION CARDS

contemplationback

A sample of four cards I like from the deck. This is not my favourite deck for some reason. I find it a bit same-y with the bras/tops of the women all having clouds and sky on them. It also has a focus on women in the artwork, I prefer more balanced images between genders. I didn’t find the words inspiring, but it’s a colourful deck for a card-a-day contemplation.

contemplationcardssample

RELATIONSHIP CARDS

relationshipback

I liked these much better although details and decorative accents are much the same as in the other deck. The gender balance is here thank goodness. Yes Goddess worshippers, there ARE men in the world. I found the details in this deck more appealing, a little more specific and thus relatable to real life.

relationshipcardssample

I find in decks where there are portraits that I don’t get as much out of them as when cards have details and objects in them. If you see a face and maybe some clothing, there it is, whereas with some scenery or objects, with more defined settings, I can pull more meaning to a card from my mind, meander around creating a story, or simply just enjoy the scene better.

I rarely use these cards but the idea of working with them as the impetus for artwork is appealing, perhaps with colour as a theme or checkerboard patterns or faces. I often want to do that with decks like this but my arm hurts lately so I’m finding it hard to draw when in pain.

I like Susan’s quirky portraiture, but I find these cards a bit simplistic, not much to grow the mind on, but their exuberance is charming and she spent some time creating them which is appealing. She is obviously an artist who gets things completed and has many ideas and just might have interesting things to say in the book she co-wrote.

The Sensation of Life on Earth

August 2, 2015

Yesterday we spent all day leaving the house, taking the dogs next door and chatting with our neighbours, waiting and waiting for someone to show up for a viewing of the house who never appeared. Today we decided after making the beds and other house-tidying measures, that we needed some balance and needed to get back to our lives rather than hovering around worrying about the house.

So we took our morning tea out on the driveway in the shade so I could comb all the hair blowing out of our chocolate Lab’s coat. We really haven’t spent any happy time with the pets for weeks. Then we had oat bran for breakfast and moved to the shade on the grass, and had two more cups of tea.

Enjoying this strange sensation of being out of the house and hearing birds and the breeze in the trees, we decided to eat lunch out there on the card table, and then after lunch the spouse mowed some of the lawn and used the weed-whacker, while I washed the dishes and then came out to draw a long-overdue weekly sketch on the table, that we had moved to the shade under the big maple and oak.

It was like getting out of prison. The wrens have had their babies and were darting about trying to feed them. The dogs lay on the grass and breathed the air, enjoying our company and the great outdoors. We both felt better, it was a much different and refreshing focus.

561. A new Pitcher Plant from the limestone mountains of Sarawak, Borneo
Marianne North, 1830-1890
Oil on paper
Marianne North Gallery, Royal Botanic Gardens, Kew

MarianneNorth_Kew

Isn’t that a beauty?

Inside the plant, things tend to disappear into a mottled jumble of colour, but outside the vines twist and reach, the veins of the leaves pulse with colour and energy from the sun, and the mountains envelop all growing things. Reminding me after today to spend more time out in nature, seeing the colours and breathing the air, focusing my eyes on the minutiae of life close-up, my feet magnetized by the Earth.

 

 

 

Turner Plays with Stars and Fluorescent Light Fixtures

July 30, 2015

Another postcard, recently from across the pond, which I finally found shoved in my nightie drawer with all the correspondence I have to catch up on. In a hurly-burly rush I put these postcards somewhere “safe” and then couldn’t find them.

THE EVENING STAR, ABOUT 1830
Joseph Mallord William Turner, 1775-1851
Oil on Canvas, 91.1 x 122.6 cm
The National Gallery

TheEveningStar_Turner

I’m never sure with Turner if I’m looking at exactly what he painted. He was known for trying out new paints and formulas, some of which were fugitive, so what we see today is not always what he painted colour-wise. This is a bit murky but it’s supposed to be evening as the sun sets, so I guess this is what he wanted. OR it might be a study for a fuller painting.

I’ve had an epiphany from Mr. Turner: sometimes what you think you want is not what you want.

The spouse and I had a bit of a blowout yesterday due to too much stress and fretting. So today we worked on cleaning the top of the kitchen cupboards and putting new wax paper lining down, cleaning the kitchen light fixtures, cleaning the spice cupboard and the tea cupboard, cleaning the fridge, cleaning acrylic panels for fluorescent lights in the basement, and edging and sweeping the front walk and painting the stoop, all the small things that needed doing. We also cleaned the front door and the screen door windows there and touched up the window paint.

As a reward, I got my inexpensive Chinese Jinhao x750 fountain pen in the mail. I just have to clean it thoroughly to get any machine oil out and then rinse it and give it a spin with Diamine Meadow ink. A nice reward for a day’s work on fiddly stuff.

I shall be able to enjoy the evening star tonight, I can just see it reflected on the sea.

 

 

 

That Magical Siamese Cat, Looking for Jan Huston

July 25, 2015

This is a notecard with a lovely piece of art on it. I bought this card around 1985. I was working for a bank in downtown Toronto and had a long commute by bus. One of the managers had this card on her desk and when I inquired about it she had a cat that had recently died that looked like this. The Siamese cat I had at the time looked just like this too so I had to go buy the card at one of the fancy downtown card shops.

It was displayed with my cat figurines for years and when I packed them away recently to declutter for viewings of the house, I put the card in with my postcards. I have several nice notecards with cats that I bought for my collection, but that was long before I lost all my cat friends. We’ve always had a multiple cat household and it’s rather painful after losing nine of them over the years to have the collection and remember my youth when we were all healthy and bursting with life and plans for the future.

MING
by Jan Huston

Ming_JanHuston

Look at those remarkable eyes. That is just like a Siamese, so blue and luminous. I have a picture of my cat Nollie sitting in a bunch of leaves just like this cat. There are forget-me-nots on the card among the grass and we have those in our front garden.

Jan Huston seems to have specialized in cat portraits. Back in the 1980s she had notecards and porcelain plates (one at least for the Franklin Mint of kittens), one crewel embroidery needlework kit with her cat art, and a large poster with a cat in tulips. For Athena International out of London, she produced this card (the art was also reproduced on a porcelain mug), one of rabbits, and one tiger that I can find, but I can find no biographical material on her.

I would love to know if she is still alive and painting and what happened to her, just because this piece of art means so much to me.

 

 

A Cat Reflects on Talent Gone from the World

July 22, 2015

I think I bought a package of notecards with this design around 1980 or so. I found it in the old set of drawers I threw out.

FROM AN ORIGINAL DESIGN BY MADS STAGE

Cat_madsStage

Mads Stage was a Danish artist who died in 2004. I was sorry to hear that as this is a favourite piece of art of mine.

His designs were used on postcards, stamps, greeting cards and notecards, ceramics, textiles, and books. He favoured birds and animals but also did cityscapes and landscapes, as well as scientific medical drawings.

What a loss, I always loved his artwork. He illustrated Walden, I would love that edition with his drawings, but it is only available in Danish, and is very pricey, alas.

 

 

The Rustle of Silk in Light

July 9, 2015

Another beautiful postcard from across the pond, this time received this year.

The Hon. Lady Baillie and her daughters, Susan and Pauline at Leeds Castle, Kent
by Etienne Drain 1947 © Leeds Castle Foundation

BaillieFamily_LeedsCastle

What I love about this is the light, the way you can almost feel the light coming through those spectacular windows, and washing over the viewer too.

Lady Baillie looks like she is wearing pleated silk chiffon and the girl in the blue dress must be wearing velvet. The girl on the right must be wearing raw silk. The whole thing is suffused with light and palpable texture, and then streams out over the lake into the green.

The View From The Window
by Ronald Stuart Thomas

Like a painting it is set before one,
But less brittle, ageless; these colours
Are renewed daily with variations
Of light and distance that no painter
Achieves or suggests. Then there is movement,
Change, as slowly the cloud bruises
Are healed by sunlight, or snow caps
A black mood; but gold at evening
To cheer the heart. All through history
The great brush has not rested,
Nor the paint dried; yet what eye,
Looking coolly, or, as we now,
through the tears’ lenses, ever saw
This work and it was not finished?

 

 

 

The Database with the Answer

June 22, 2015

This is The Answer Deck miniature edition by New York artist Nicholas Zann, published by Running Press. One of the decks that escaped my notice until Steve encouraged me to get it. We should start a club: Steve Made Me Buy.

AnswerDeck

I consider black and white decks a sub-genre of my collection and I enjoy collecting them. I’ve never understood why others don’t like them as much, because the art is often way better than that in conventional decks, and the art in this is wonderful, I immediately liked it.

This is a shot of cards laid out on the spread sheet that comes with this kit, showing the back of the cards on the left. I never use the sheet but wanted to show it in the database as it came with the cards. In reality this red is much better, darker and more saturated, but my scanner always has problems with reds. The cards measure 50 x 79 mm.

AnswerDeckBack

Here are a couple more favourites from this deck. I’d forgotten how much I like it, so I’ll keep it out for a bit and use it.

AnserDeckFaves

The little booklet only has two signatures in it but they are Smyth-sewn, which is a sturdy bookbinding method that lies flat. It’s really quite unexpected for a booklet.

I was a bit surprised by the art in this deck because Nicholas Zann does much dreamier, softer portraits in oil, but he also likes cartoons and illustrations, so that ties in more with the art of this deck. Gosh, I just realized that he’s about 72 years-old now! Upon checking, I see that the full-size edition of these cards is going for whopping amounts on the secondary market, which makes me glad I bought a copy before it got too expensive, as the art is so appealing to me.

It holds up as a usable deck and a set of 73 pieces of artwork.